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Age of Sinan : Architectural Culture in the Ottoman Empire - Necipoğlu, Gülru

Age of Sinan : Architectural Culture in the Ottoman Empire

Gülru Necipoğlu

Yayınevi: Reaktion

Yayın tarihi: 06/2007

ISBN: 9781861892539

İngilizce | 592 Sayfa | Büyük boy  |  280 mm x 228 mm

Tür: Mimari

  • 234,98 TL

Mimar Koca Sinan (c. 1489-1588), the 'Great Architect Sinan', was appointed chief royal architect to the Ottoman court by Sultan Suleyman I in 1539. During his fifty-year career he designed and constructed hundreds of buildings including mosques, palaces, harems, chapels, tombs, schools, almshouses, madrassahs, caravan serais, granaries, fountains, aqueducts and hospitals. His distinctive architectural idiom also left its imprint over the terrains of a vast empire extending from the Danube to the Tigris, and he became the most celebrated of all Ottoman architects, particularly renowned for his influence on the cityscape of Istanbul. Sinan's most influential buildings were his mosques, where his inventive experimentation with light-filled centralized domes, often compared with parallel developments in Renaissance Italy, produced spaces in which the central dome appeared weightless and the interior surfaces bathed in light. His innovations reached their height in grand mosque complexes comprising schools, baths, guest-houses and hospitals, commissioned by distinguished members of the Ottoman ruling elite. In this innovative, major study, Gulru Necipoglu argues that Sinan's rich variety of mosque designs sprang from a process of negotiation between the architect and his patrons, rather than from restless, unrestrained formal experimentation as has been previously described. The author is the first to use published and unpublished primary sources to illuminate the cultural setting in which Sinan's monuments were produced and 'received'. She describes how Sinan created a layered system of mosque types, reflecting social status and territorial rank, shaped by ideas of identity, memory and decorum. Seen from this perspective, Sinan's monuments, with their highly standardized pattern of forms, used in ingeniously varied combinations, acquire dimensions of meaning that have not been previously recognised.

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